Test Page by Julian S.
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Installation, 2009
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Freeform, 2009
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Matrices, 2009
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Figure (ORTA), 2009
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| Figure (Villa Elisabeth), 2008 |
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| Hammersmith & City, 2008 |
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| Studio 1.1, 2008 |
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| Wintergarden, 2008 |
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| Distance Circles, 2008 |
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| figure, 2008 |
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| Striped Shape, 2007 |
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| GPS Circle, 2007 |
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| Argeles Plage 2 & 3, 2007 |
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| The Premier Rose, 2007 |
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| New Cross Gate, 2007 |
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| Elastic Tree, 2007 |
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| Einfälle und Zufälle/ Tree-tops Re-modeled, 2007 |
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| Treetops Re-Modeled, 2007 |
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| Distance Circle, 2006 |
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| Reconstructions, 2006 |
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| Inventory, 2006 |
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| Reconstructions (Place Roger Prijou-Valjean), 2005 |
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| Grand Canyon and Wildwasser, 2005 |
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| London Eye, 2004 |
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| Catwalk, 2004 |
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| Coffee Stain, 2004 |
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| Potato Prints, 2004 |
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| Paintings (Squares), 2004 |
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| Negative Light, 2004 |
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| JPG-Artefacts, 2004 |
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| Chokes, 2003 |
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| White Square, 2001 |
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| Remember Me, 2000 |
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| Face of a Woman, 1999/2003 |
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| Tottenham Court Road, 1999 |
THE FULL CIRCLE
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A collaborative project by Eduardo Padilha and Michael Schwab
Studio 1.1, London
11/05 - 01/06/2008
Private View: 10/05/2008 6-8pm
Artists' Talk: 25/05/2008 3.30pm
Click for the Full Circle project website.
The circle symbolises probably the most profound human desire: the desire
for order and completeness. We ourselves are also circles with a centre and
a horizon, and we connect into social circles of all shapes and sizes. It is
as much an aesthetic idea and a social concept as it is a mathematical
figure. However, the times and places we live in do not easily lend
themselves for such an ideal: we are never quite complete, never quite in
the centre of ourselves and our social horizon; and we are not as perfect as
the line that follows the radius around the centre.
Using the figure of a circle the artists are activating all those
connotations - the circle ceases to be the ideal of perfection and become
the means of enquiry into the very fabric of our busy urban lives. It
becomes a sounding board skilfully inserted into the reality of our London
space with which it interferes, amplifying its multitude of overtones.
The project extends this approach by using various media and materials -
drawings, paint, photographs, fabric, and installation - creating many
layers of resonance. The exhibition is intended to work very much with the
given space within and beyond the gallery walls as well as in a conceptual
space that extends the artistic experience into discussions and
publications. Full Circle is a platform from which art can approach life.
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Test Page by Julian S.
Michael Schwab
Contact
CV
Documents
News
International Seminar 'Light Touches'
Figures of Touch Research Project
University of Art and Design, Helsinki
10-11/06/2009
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The Difference between Art
and Art Research
Züricher Hochschule der Küste
23-24/04/2009
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Creative Practice, Creative Research
York St. John University
Download my paper in the 'Documents' section.
25-17/04/2009
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The Art of Research: Research Narratives
Chelsea College of Art and Design
28-30/10/2008
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Research into Practice conference
Royal Society of Arts
31/10/2008
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/seconds issue 9
vanishing point, the vicious and virtuous circle
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Conference Contribution and Exhibition
'Figurations of Knowledge'
5th Biannual European Conference of the
Society for Literature, Science, and the Arts (SLSA), Berlin
02 - 07 June 2008
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Paris
Book Launch
18 May 2008
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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab
Studio 1.1, London
11/05 - 01/06/2008
Private View:
10/05/2008 6-8pm
Artists' Talk:
25/05/2008 3.30pm
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Full Circle Family Workshops
Gasworks, London
19 - 22 February 2008
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Keynote Paper and Exhibition
'Art and Research: How?'
International Conference at the Estonian Academy of Arts, Tallinn
14/15 February 2008
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Artist Talk
'figure' at the Tramdepot Gallery, London
3 February 2008, 2pm
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Figure
The Tramdepot
Private View Friday 25 January 7 - 11 pm
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As if something once mentioned, now plain to see
Book by COLONY, Birmingham
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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab
Huisrechts, Amsterdam
13.9 - 16.10 2007
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Political Art 2007 Almanac
Reunion Projects
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Artistic Research and the Role of Critique.
In: van Koten, H. (ed), Proceeds
of Reflections on Creativity, 21 and 22 April 2006.
Dundee: Duncan of
Jordanstone College, 2007. ISBN: 1 899837 56 6.