Test Page by Julian S.
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Installation, 2009
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Freeform, 2009
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Matrices, 2009
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Figure (ORTA), 2009
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| Figure (Villa Elisabeth), 2008 |
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| Hammersmith & City, 2008 |
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| Studio 1.1, 2008 |
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| Wintergarden, 2008 |
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| Distance Circles, 2008 |
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| figure, 2008 |
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| Striped Shape, 2007 |
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| GPS Circle, 2007 |
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| Argeles Plage 2 & 3, 2007 |
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| The Premier Rose, 2007 |
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| New Cross Gate, 2007 |
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| Elastic Tree, 2007 |
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| Einfälle und Zufälle/ Tree-tops Re-modeled, 2007 |
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| Treetops Re-Modeled, 2007 |
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| Distance Circle, 2006 |
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| Reconstructions, 2006 |
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| Inventory, 2006 |
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| Reconstructions (Place Roger Prijou-Valjean), 2005 |
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| Grand Canyon and Wildwasser, 2005 |
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| London Eye, 2004 |
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| Catwalk, 2004 |
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| Coffee Stain, 2004 |
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| Potato Prints, 2004 |
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| Paintings (Squares), 2004 |
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| Negative Light, 2004 |
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| JPG-Artefacts, 2004 |
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| Chokes, 2003 |
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| White Square, 2001 |
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| Remember Me, 2000 |
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| Face of a Woman, 1999/2003 |
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| Tottenham Court Road, 1999 |
Artistic Research and the Role of Critique
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Michael Schwab
The proceedings of the 2006 conference 'Reflections on Creativity' have now
been peer-reviewed and edited and can be accessed via the conference
website: http://imaging.dundee.ac.uk/reflections/
Abstract
The proposed paper argues for a close relationship between artistic practice
and its reflection and contextualisation through a process of critique as
not only a necessary component of research but also of art itself.
The paper approaches the question of critique from a philosophical angle
basing the relationship between theory and practice on Walter Benjamin's
dissertation 'The Concept of Criticism in German Romanticism' (1919), which
foregrounds criticism as a function of art. In arguing that the Romantic
definition of modern art is still valid, the paper then moves on to
speculate on some of the themes. It claims that an artistic definition of
research that moves across the divide between theory and practice has been a
fact during much of modern art's history, a fact, however, that only now in
the context of practice-led research can claim its proper status.
Schwab, Michael, Artistic Research and the Role of Critique. In: van Koten,
H. (ed), Proceeds of Reflections on Creativity, 21 and 22 April 2006.
Dundee: Duncan of Jordanstone College, 2007. ISBN: 1 899837 56 6.
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Test Page by Julian S.
Michael Schwab
Contact
CV
Documents
News
International Seminar 'Light Touches'
Figures of Touch Research Project
University of Art and Design, Helsinki
10-11/06/2009
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The Difference between Art
and Art Research
Züricher Hochschule der Küste
23-24/04/2009
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Creative Practice, Creative Research
York St. John University
Download my paper in the 'Documents' section.
25-17/04/2009
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The Art of Research: Research Narratives
Chelsea College of Art and Design
28-30/10/2008
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Research into Practice conference
Royal Society of Arts
31/10/2008
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/seconds issue 9
vanishing point, the vicious and virtuous circle
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Conference Contribution and Exhibition
'Figurations of Knowledge'
5th Biannual European Conference of the
Society for Literature, Science, and the Arts (SLSA), Berlin
02 - 07 June 2008
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Paris
Book Launch
18 May 2008
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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab
Studio 1.1, London
11/05 - 01/06/2008
Private View:
10/05/2008 6-8pm
Artists' Talk:
25/05/2008 3.30pm
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Full Circle Family Workshops
Gasworks, London
19 - 22 February 2008
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Keynote Paper and Exhibition
'Art and Research: How?'
International Conference at the Estonian Academy of Arts, Tallinn
14/15 February 2008
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Artist Talk
'figure' at the Tramdepot Gallery, London
3 February 2008, 2pm
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Figure
The Tramdepot
Private View Friday 25 January 7 - 11 pm
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As if something once mentioned, now plain to see
Book by COLONY, Birmingham
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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab
Huisrechts, Amsterdam
13.9 - 16.10 2007
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Political Art 2007 Almanac
Reunion Projects
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Artistic Research and the Role of Critique.
In: van Koten, H. (ed), Proceeds
of Reflections on Creativity, 21 and 22 April 2006.
Dundee: Duncan of
Jordanstone College, 2007. ISBN: 1 899837 56 6.