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| Tottenham Court Road, 1999 |
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Aberrations, 2009 |
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| Installation, 2009 |
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| Freeform, 2009 |
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| Matrices, 2009 |
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| Figure (ORTA), 2009 |
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| Figure (Villa Elisabeth), 2008 |
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| Hammersmith & City, 2008 |
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| Studio 1.1, 2008 |
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| Wintergarden, 2008 |
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| Distance Circles, 2008 |
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| figure, 2008 |
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| Striped Shape, 2007 |
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| GPS Circle, 2007 |
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| Argeles Plage 2 & 3, 2007 |
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| The Premier Rose, 2007 |
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| New Cross Gate, 2007 |
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| Elastic Tree, 2007 |
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| Einfälle und Zufälle/ Tree-tops Re-modeled, 2007 |
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| Treetops Re-Modeled, 2007 |
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| Distance Circle, 2006 |
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| Reconstructions, 2006 |
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| Inventory, 2006 |
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| Reconstructions (Place Roger Prijou-Valjean), 2005 |
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| Grand Canyon and Wildwasser, 2005 |
| London Eye, 2004 |
| Catwalk, 2004 |
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| Coffee Stain, 2004 |
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| Potato Prints, 2004 |
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| Paintings (Squares), 2004 |
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| Negative Light, 2004 |
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| JPG-Artefacts, 2004 |
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| Chokes, 2003 |
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| White Square, 2001 |
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| Remember Me, 2000 |
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| Face of a Woman, 1999/2003 |
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These two images represent the oldest artworks I am showing here. There are photographic reproductions of faces on call girl advertisements posted in telephone boxes around London's Tottenham Court Road. The images were reproduced using a large format camera with a magnifying glass as its lens. The lens was in fact only millimeters away from the surface of the postcards. This and the uncorrected optical qualities of the lens produced a focused picture only in the centre of the image while the rest quickly dissolves into blurriness. The women are transfixing the viewer hidden behind what appears to be a veil. This 'veil', however, turns out to be the very substance the faces are made of. They reside completely within the graphics of the halftone dots of which the images are composed, although optically it seems hard to believe that there are no 'hidden greys' in between the black dots, in which the flesh and skin could be anchored. The sexual desire, as which these advertisements were constructed, thus falls in one with the spectator's desire for the sheer existence of the substance of the face - be it imagined. The work still awaits completion to this day. I would like to silk-screen the images onto very thin paper in a limited edition of a few hundred. The posters should be stacked on two low pedestals and sold from that heap. Should the occasion arise I will produce these editions. |
michael_at_seriate.net
Components of the Image
Exhibition 036 at SWG3 in Glasgow
09-18/10/2009
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Sensuous Knowlege Conference 6
Bergen, Norway
23-25/09/2009
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International Walter Benjamin Association
Antwerp, Belgium
14-17/09/2009
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First, the Second:
Walter Benjamin's theory of reflection
and the question of artistic research
Journal of Visual Arts Practice (7.3)
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The Difference between Art
and Art Research
Züricher Hochschule der Küste
23-24/04/2009
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Creative Practice, Creative Research
York St. John University
Download my paper in the 'Documents' section.
25-17/04/2009
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The Art of Research: Research Narratives
Chelsea College of Art and Design
28-30/10/2008
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Research into Practice conference
Royal Society of Arts
31/10/2008
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/seconds issue 9
vanishing point, the vicious and virtuous circle
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Conference Contribution and Exhibition
'Figurations of Knowledge'
5th Biannual European Conference of the
Society for Literature, Science, and the Arts (SLSA), Berlin
02 - 07 June 2008
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The Full Circle
A collaborative project by Eduardo Padilha and Michael Schwab
Studio 1.1, London
11/05 - 01/06/2008
Private View:
10/05/2008 6-8pm
Artists' Talk:
25/05/2008 3.30pm
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Full Circle Family Workshops
Gasworks, London
19 - 22 February 2008
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Artist Talk
'figure' at the Tramdepot Gallery, London
3 February 2008, 2pm
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Figure
The Tramdepot
Private View Friday 25 January 7 - 11 pm
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As if something once mentioned, now plain to see
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Political Art 2007 Almanac
Reunion Projects
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